Jan 13, 2004 dissolution of old traces out of which current strengths emerged. see also BREATHING EXERCISES email for more [vide infra] There are places where I need this stuff but I can tell where that is. There is a difference between having pity and compassion for my father on the one hand, and, on the other hand, continuing to allow myself to be ensnared by the traps he trained me to fall into. When that comes up, I have to fight it with positive affirmations by myself. (Don't have to worry about falling into ego bullshit.) My father is DEAD. The only time I need to remind myself of my accomplishments and strength is when his voice comes back in my head. If a today voice critical comes to resemble his in my head, then remember who I am and remember my strength, and remember that I did not become an abuser. Because to come from an abused childhood and not become an abuser, is in fact to conquer the abuser. Stockholm syndrome! BREATHING (ask for new handout) Lie on back. Take a big book, put it down low on stomach partially near crotch, like right above your crotch, and until we talk again then more to do, when you breathe make that book go up and down, and every time when it goes up and then back down, then make a sound, a loud sound like 'HA!!!!!!' and (maybe other vowel sounds), pay attention to your body; then try it when you're sitting up without the book but making the sounds; and then pay attn to when the breath starts to go up into the chest, THEN push it back down; or when it gets into the throat such that the sound is distorted or covered, do that kind of belly breathing. Idea is that body is like a bellows so inhaling is like a bellows and exhaling is the same. Don't do PUH or BUH: "plosive" sounds... they sound hard and harsh. Also just pay attn to when voice starts to go... voice should start from rectum, supported from that far down. When that is going, then we can talk about how it connects up and how to get head, throat, chest and belly voices: they're all about kinesthetics. head-presentations, throat-everyday chat intimacy, low throat very sexy, chest voice is used for at a table conference w/ 6 ppl say you want to be heard but not projecting really loud so not intimate; belly voice is important, supports the voice and helps control the breathing--also relax your body while you're doing it, if you tense up then just shake them out. For UL: between chest and belly voice. ==> AND do breath control. <== THE ONE THING YOU NEED TO DO WHEN YOU GET ANXIOUS IS BREATHE; THE ONE THING PEOPLE STOP DOING IS BREATHING. Talking in the facial mask i.e., using those muscles. Keeping lips forward the way the french do it,t hat's what you're trained to do when you are trained ot use your voice, keeping the lips loose and forward. On Jan 13, Robert Cutler wrote: > be there be aware but don't analyze to death > but not in a fog in a haze > > violent defense is an old habit that just needs to be put away. > > now you are smart enough to discriminate to know where you need it and > not. > > violent defence from MLC sourced differently from fioelnct defence from > UL. >